You can be editing before the director calls “cut!”Įnvelopes and alerts combine to allow the operator to better keep an eye on their signal while juggling multiple sources and tests.
#WHAT IS SCOPEBOX MOVIE#
In addition, live edit can be enabled on most fail-safe captures, allowing the QuickTime movie to be imported into your favorite edit system and cut while still being recorded. Fail-safe capture constantly flushes coherent QuickTime data to disk so that no matter when or how the record is stopped, you can be confident you’ll end up with a valid, playable file. With traditional direct-to-disk tools, problems during capture can result in corrupt QuickTime files requiring costly recovery services. The new fail-safe capture functionality of ScopeBox 3.0 provides unparalleled peace of mind.
#WHAT IS SCOPEBOX SOFTWARE#
AKE enables tools like alerts, envelopes, and synthesized composite waveforms, which were previously unobtainable in software only solutions. AKE is optimized for both Intel and PowerPC, and allows ScopeBox 3.0 to extract even more performance from your existing system. AKE allows ScopeBox to customize the processing load to optimally match the current computer, video source, bit depth, and palette roster. ScopeBox 3.0 introduces a brand new video processing pipeline called the Adaptive Kernel Engine (AKE). So here's my question for you - if you do color correction in After Effects, what do you use for monitoring (other than the subjective preview window)? Perhaps that's another area that Red Giant could pursue with their Magic Bullet suite.
#WHAT IS SCOPEBOX PRO#
It makes using a color correction plug-in like Colorista far less scientific, and I've always wondering why AE doesn't include the native monitoring palettes that Premiere Pro does.
Why the need for such scopes in post? While Final Cut Pro and Premiere Pro ship with their own parade of test scopes, After Effects does not. Scopebox is designed as an on-set monitoring and recording aide, as opposed to, say, Synthetic Aperture's Test Gear, which is a set of similar monitoring options for After Effects. My question is, can you use Scopebox as a post-production monitoring solution?Īpparently the only way to take advantage of Scopebox's waveform/vectorscope options during post-production is to utilize a second computer's video hardware. Video is no longer available: Version 3.0 of the software should be out later this year. Here's a presentation on Scopebox from 's coverage of NAB:
Waveforms, vectorscopes, and RGB parades were handy on-set aides, and though similar to Adobe OnLocation (now bundled as part of Premiere Pro), the fact that the forthcoming version 3.0 of the software will drop the price from $700 to $99 makes it a new ball game. When Divergent Media's Scopebox was released a few years ago, it was a $700 piece of software that was fairly unique at the time: a way to turn any Mac laptop into, well.